Few things are grosser, or more illegal, than early season 1 Chuck Bass.
In the Gossip Girl pilot, Chuck lures drunk Serena into his dad’s hotel kitchen with the promise of a cheese toastie. “If you’re looking for a way to thank me, I’ve got a couple ideas” he says calmly, before kissing and clawing at her while she shouts no.
Later on, in the same episode, Chuck coaxes Jenny to the rooftop at a party and forces himself on her (with Blair’s prior encouragement). “Will C end up with a new victim?” the Gossip Girl voiceover chimes.
Luckily, Jenny was cautious enough to text her brother beforehand, and Dan and Serena get there just in time. Chuck calls Serena a slut, and Dan gives him a black eye. It’s one of the only times I’ve ever admired Dan Humphrey.
“Chuck likes to brag about his conquests, not his victims”, Blair Waldorf assures Jenny the next day. Charming.
Chuck is depicted to regularly have consensual sex. His rape attempts are an intentional abuse of power. Unfortunately, instead of being a flawed character that promotes awareness for sexual assault and noxious masculinity, he was just Gossip Girl’s resident villain, merely there as the token sleaze and plot device. In the original books by Cecily von Ziegesar, the show’s source material, Chuck is a minor character who only cares about sex and money, epitomising Upper East Side evil – so it’s possible that the show’s writers didn’t intend for him to stick around very long. Perhaps it was an accident that Ed Westwick proved to be one of the strongest actors in the cast, quickly turning into an audience favourite. I will not even try to pretend that his array passionate fans didn’t include me at age 12.
2007 was NOT a woke time in human history. While people were probably disgusted with Chuck Bass’s actions, many fell in love with the character as he began to battle with ‘fixing himself’ and completely forgot Chuck’s actions before his romance with Blair. To quote a Vox article:
The fact that Chuck was an attempted rapist did not, fans insisted, matter all that much for this storyline. That was all in the pilot, after all, and everyone knows that pilots only half-count. In the pilot, Chuck also had a living mother and rode the bus to school, while later episodes established that Chuck’s mother was dead and that he traveled everywhere exclusively by limo. The attempted rapes were like the bus: not really canon.
What went mostly unsaid was that Chuck’s backstory as an attempted rapist actually made his tryst with Blair more compelling than it would have been otherwise. “Are you sure?” he asks her after she kisses him, in a moment that both recalls Chuck’s history of sexual assault and establishes that it matters to him that this particular encounter be consensual.
Constance Grady
As someone who writes scripts and creates characters, and has been entranced by many flawed, anti-hero male protagonists in the pasts – hello Don Draper, Walter White and Frank Gallagher – I can definitely see this from the perspective of the writers, who probably didn’t realise Chuck would become their main romantic lead, let alone a central character who attracts millions of viewers and teen fangirls. Once you make a character a one-sided villain, it’s incredibly hard to backtrack on that later on and propel them into a sincerely believable redemption arc. The Gossip Girl writers probably felt they had done their best, but it was clumsy.
There was plenty of trivialising dialogue about how Chuck used to be disgusting is a changed man. I would have liked actual evidence that proved these claims.
In season 2, Chuck is depressed and alone. He apologises to Jenny for his actions in the pilot. It’s a little half assed, focusing mostly on his personal sense of regret and not the trauma he inflicted on her.
An even more astoundingly odd choice was in season 4, when Chuck and Jenny have sex. Chuck had just sold his loving girlfriend Blair to his seedy uncle in exchange for getting the Empire Hotel back. Blair decides she can forgive him and plans to meet him at the Empire State Building, where he said he’d be waiting for her one last time. Dorota gives birth, making her late meeting him, and Chuck goes back to his suite alone, where Jenny Humphrey has come to look for Nate. The writers genuinely sat down at this point and were like, haha, now let’s make Jenny consensually lose her virginity to the dude who sexually assaulted her in season 1. Dan finds out and punches Chuck again, which arguably wasn’t called this time since it was in fact consensual…irresponsibility of the writers aside.
At this point, we were done being disappointed with his behaviour. We were literally maxed out. But Chuck struck again. He was intoxicated in season 4, got angry at Blair, and punched a hole through the window behind her. The glass fell on her and cut her cheek while he yelled ‘You’re mine!’. He loved Blair, but he was possessive, still treating Blair as an economic unit and regularly trying to win her over with expensive gifts.
I like to think we all understand how societal context can make older shows extremely hard to watch as they age. And anyone who writes understands the difficulty of executing a hefty character transformation, especially one that was unprecedented. Mostly all of us are guilty of rooting for a deeply flawed character who we would be a lil bit scared to be left alone with in real life.
Overall, I think the writers of this show could have come up with a better excuse for Chuck’s abusive behaviour than “I’m Chuck Bass”.
Teen Drama Bitch 